Barn

Gray bones, unyielding
against the shifting winds
of a century’s dance,
stand tall,
supporting the relic.

Dusty tobacco—
its earthy scent
mingles with manure,
sweat, soil, and corn,
the essence deeply embedded
in wood and beam.

Rodent, bird, snake, spider,
a silent assembly, disturb
the cattle’s communion
in peat and refuge,

a sanctuary for small creatures
and hidden lovers,
their secrets suspended,
in the shadows of these walls.

Forever Burning Fire

Life is a forever
burning fire—
its flames cradle you,
a fleeting flicker.

Briefly you dance,
illuminating the void,
before spiraling outward,
a luminous arc,
into quiet extinguishment.

fence

a line of lovers, wooden
like rotting posts
each more weathered
and more hollow
than the previous
until the last one
completely broken
neglecting what
it was meant
to hold

Jack o’Lantern

When she carved the pumpkin,
her hand sunk deep into its flesh
and, as she scooped the insides,
she thought of the murder–
how the face went soft,
yet wide-eyed, open-mouthed,
stringy seeds spilling
onto her dress.

She twisted the knife in,
his body thrusting forward,
not expecting the blow
or that she would fight back.
Now only a pile of damp pulp
on the old, wooden floor
remained to be cleared
before the celebration.

Her steady hand putting
flame to the candle
and placing the toothy head
before the house
as a beacon to those who
would come knocking
that night.

Jackson, 1962

Murder at midnight.
Ruby light like a sheet
over the Oldsmobile’s
steel green skin.

Undercover crickets
shrill in a foggy field,
their screams a jagged static
against the black gloaming;
tinnitus in the night ear.

Haggard men,
hoarding hate like rare coins,
pause for gasoline—
greasy hands rub hollow eyes—
then churn up dust,
bald tires grind the earth
desperate to bury the past.

Tomorrow at the bank,
the agency, the classroom,
the factory, the church
and the precinct
they will call
Jesus a friend.

— © Rick Baldwin